On Rain

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When the first rains of monsoon season fall, I walk into school looking like I have spent all morning wading in the lake. The principal asks if I used an umbrella, but I don’t have the words to tell her that I can only shrink myself so much under its cover. Water squishes out of my socks with every step as I trudge up three staircases to my office.

Inside the school, it is always raining. Clouds line the ceiling of my classroom and pour down until a child asks in broken English to open the windows. The class, up to their necks in water, the small ones already submerged, let out a collective sigh. We drain out slowly enough that the humidity creeps in, settling over the class with an unconscientious greed.

During lunch, I ask my co-teacher how long the rain will last for.

“I don’t know,” she says, looking out the window. “Maybe a month. Last year the season was very short, so maybe this year will be the same.”

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I read once that running in the rain only absorbs more water. One could stay drier by walking calmly between buildings instead of dashing across courtyards. During monsoon season, it rains an average 11 inches per day in Daejeon, which is better measured by pizza deliveries per week and hours spent in bed. There are some cities that might be worth braving the rain for, but Daejeon is not one of them. Even in rainy season, the KTX still operates across the country with speeds of 305 kilometers per hour.

After lunch, I walk up to my office where I’ll stay hidden until it’s time to go home. My umbrella is propped open beside my desk, a wet omen that refuses to dry. Walking to and from work used to be a battle with the heat, annexing me in layers of sweat by the time I reached school. Summer brings a new struggle, taking the form of a relentless rain that does not care about white shoes or weekend plans.

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A common trope in dramatic literature is for a woman to slowly walk out into the ocean, dripping in grief and weighed down by a flowing dress, until she is never seen again. Take Shakespeare’s Ophelia, who gathered flowers around the mountain of white that hung off her body until there was no need for her to float anymore.

A student, no older than seven, knocks on the office door and cracks it open. Water rushes out into the hallway, and he wades into the room. His hair is matted to his forehead, whether from rain or sweat I cannot tell. His legs make strong strides to my desk, where he lets out a long string of words without taking a breath. I decide that he must be doused in layers of sweat. He repeats the same string of words as rain begins to assault the roof above our heads. Words tumble out of his mouth in the silence between droplets of rain, but I only understand the words “English teacher.” My co-teacher floats over to answer him in Korean, give him a candy, and send him wading back to the door.

“Does he not know who you are?” She asks.

“I’ve never seen him before.”

I spend the rest of the day folding old crosswords into flowers and placing them around my classroom. I run out of paper quickly, so I print out several hundred more and watch as raindrops run the fresh ink off the paper, dripping letters into the half-submerged room. When the room is finally a soggy mess of paper balls, I stuff the rest into my pockets and close the windows, watching the water rise.

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On the second day of the monsoon, I wear shower shoes to work. The sidewalk is a gridlock of pastel umbrellas, ensuring everybody will be late behind the first graders who lead the pack. As the road curves up the hill, the colours bob together in unison like a caterpillar inching along in the rain. Koreans usually opt for monochrome tones ranging from charcoal black to pearl white, yet appear to express themselves through the twirling clouds they hold above their heads from late June through July.

My first three classes proceed as usual, but after lunch everyone is weighed down by the humidity that has taken over the school. The rice we eat everyday balloons in our stomachs as the rain continues to fall. The air is a wet blanket that no sixth grader can sit still under, so we opt for a lesson outdoors.

My students complain even more outside, now exposed to the earthy smell that arises from the ground. From the west entrance, we can look out at the courtyard below, where younger grades are practicing flood evacuation drills. In the distance, the Gyejok mountains look as if someone has coloured over them with a gray crayon.

“Teacher, what are we doing?” Asks the class leader.

“Naming the raindrops.”

“In English raindrops have name?”

“No. We will give them names.”

Half of the class doesn’t understand. The higher level students shout over each other to give each droplet the best name. The first raindrops that fall outside the school are named after K-Pop idols, fruits, Spongebob characters, and farm animals. It doesn’t take long to exhaust those possibilities. It is monsoon season after all.

The next round of raindrops is random English verbs. Run, jump, eat, drink, play, study. The whole class understands by this point. Low level students opt for the conjunctions. And, but, so, for, or.

“I’m fine!” The class leader yells. “I’m happy! I’m tired! I’m bored!”

We shout names at the sky until our throats are hoarse. Something must be listening, because the rain lightens up for a minute and then stops altogether. The bell rings, signalling the end of the school day.

“Good work today,” I say with a smile on my face. “We will work on this again tomorrow.”

While my students run off to their after-school activities, I linger in the humidity, looking up at the grey sky. My clothes are dripping with sweat and water. I’m half expecting the sun to come out, but instead a black fly buzzes across my nose. On the first day of the rain, a downpour followed every five minutes of clear air. Defenseless without an umbrella, I head back to my office, where I will wait until the next rainfall.

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In Search of an Empty Room

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Toronto, 2017

Hanging on the north wall of my former Toronto bedroom used to be two strings of cut-out magazine letters, spelling out a multicoloured not realizing any place. This low-budget attempt at home decor was based off an Anaïs Nin quote that I’ve been thinking about for the past year. We go through life without definitely realizing any place. They all remain unreal for us. Nin, a woman of many homes and countries, understood that place is an abstraction. A city alone does not hold any meaning, yet despite staring at this truth every morning and night, I am still unable to grasp this concept.

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Ouro Preto, 2017

I’ve changed my address a lot in the past four years. Every time I move my pile of boxes seems to shrink, and the number of times I sit on the floor with my knees pulled into my chest staring at them increases. This phenomenon seems to correlate with my tendency to write melodramatic blog posts, but no need to psychoanalyze that. I over-pack every time I move, which I realized when closing a box labelled “vaguely important papers”. This box contains papers of no importance whatsoever, like a receipt for cheese bread, graduate school information, instructions on how to pay back my student loans, and old metro passes. Nevertheless, they’ve all made the cut to move with me, settling into their own spaces among the dusty nostalgia that lingers in each box.

Although I’ve accumulated more than enough over the past few years, several things have gotten lost between my many moves. Some have boarded the wrong flights and others were accidentally placed amid boxes of neglected hair products. The worst of this has been seven months’ worth of letters and postcards from my time in Paris, and the best of this has been a few misplaced love interests.

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Toronto, 2016

I place heavy importance on mementos like personalized letters and postcards, which is why my closet is full of bags containing every handwritten piece of paper since I was 9. I know that when I’m a dead famous writer these could all be published in The Paris Review, but until then I battle this urge to pack the letters from the past few years into the outer pockets of my suitcases. I never know when I might need to be reminded of what it felt like to love and be loved at a particular address. Place is informed by emotion, which begrudgingly remains partially informed by the people I surround myself with. I know it is dangerous to define one’s life in terms of others, which why I pack these letters away alongside the various journals I’ve filled up in the past years.

I wish I could say my journals were seeping with poetry, but the hundreds of pages I’ve filled over the last few years are littered with memories. The journal is a space of itself, a place where memory shifts to material. There is no speculation that accompanies channeling your most private thoughts into a tangible object. Yet, not all memories are created equally. There are some places I do not wish to revisit, and there are some places I have no choice but to remember. There are some cities I’ll pack into boxes or channel into creased city maps, always accessible to me through the pages of my journals. It is comforting to have a place to contain these memories where they remain unbothered by the decay of time, but then I am faced with the act of transportation. I will be changing my address three separate times this summer, yet I cannot justify filling up suitcase room with five years’ worth of thoughts.

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Höfn, 2016

When I’m unpacking after a move, I’ll sometimes find things that aren’t actually mine. Lonely socks that were left in the dryer before me, handfuls of words only my friends use, secondhand guilt, a string of plastic roses saved from the garbage, white neoliberal myths about diversity. I’ve always hoarded everything that fell into my possession, refusing to throw anything out because everything has sentimental value to someone who has trouble with separating memory from the material.

Ayn Rand might be a piece of capitalist garbage, but she was not wrong when she wrote that you can’t wait for a place to give you meaning. You have to give meaning to a place. If Ayn ever stopped hating poor people, maybe she would sympathize with me when I say that my problem is that I try to pack these places into boxes that I can cart from one location to another. I’ve never been in one place long enough to be content with taking just memories with me, but I find it difficult to say that I’ll ever be ready for that. A memory is just a roll of film you play over and over again until it has been altered beyond recognition. Fingerprints smudge the faces and soon you can’t remember what came first, forgetting to make plans to see your out-of-town friends or failing to write down their new addresses. Conversations fade into greyscale and time manipulates the lens as things you regret you said are replaced by things you wanted to say. It does not take long for all memories to mold into the shapes of rooms and streets you knew without a map.

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Belo Horizonte, 2017

These places linger in our minds triggered by nothing that can ever be truly replicated. Place held on a naked mattress stained with something I don’t remember spilling. Place smelling like the sandalwood incense I burned all third year. Place locked in a spoonful of my Goong Goong’s foo jook soup.

After I had loaded up my mom’s car on my last move out of Toronto, I took a look around my empty room. Despite the open window there was a placid silence, a sort of stillness in the curtains that was uncommon for a house of twelve students. I had first walked into the house many months prior with the humidity of a Toronto summer sticking to my body, and I was leaving it wrapped in layers on a cool overcast day. With my candles already packed away, my bedroom didn’t smell like anything. It didn’t feel like anything either, certainly not like I had lived there for a year. It was just another room.

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not realizing any place 🙂 🙂 🙂 xx